Dasharatham was a watershed in the history of Malayalam movies for various reasons — most notably for its handling of a practically distant theme of the times. What gave the movie its... Read more
This is not a top-to-bottom review of the movie in the traditional sense. It’s more of a tribute to the super cool filmmaking of Padmarajan. It’s never an easy thing to tell a story th... Read more
Ambiguity is the trademark of any complex piece of art. The more complex a text, the more layered and interpretive it becomes in its scope. The movie Carbon has all the ingredients necessary... Read more
“Amen is a movie made of ordinary people with an extraordinary story to tell. It’s a movie that demands not just your attention but your participation in celebrating their story. And i... Read more
Simply put, Ee. Ma. Yau is a tale about a burial. The burial of a nobody in a fishing village in Kochi. But the movie doesn’t stop at telling a story about burial, rather it takes you... Read more
To people who know me personally, I come across as someone who holds an inherent dislike for Malayalam movies. So if I told someone that I was gonna give a honest review of a Malayalam movie... Read more
This movie is about 5 years old and I may be a little late on the scene. Now, there is a good chance that I read too much into it, but I after having watched it, I thought I’d clear up a few... Read more
What started out with great promises and ambition loses direction in the final fourth, and is rendered a forgettable movie by some sloppy script writing. Soubin’s directorial debut straddles... Read more
Marykutty wears the woes of transgender community on her sleeves in a movie that suffers from predictability and uninspiring characters. Breaking the mould of transgender stereotypes, Maryku... Read more
For a movie with a firm idea about what it intends to convey politically, Jayan Cherian’s Ka Bodyscapes exercises admirable restraint. And for me it had this simple message: You may force th... Read more
